We often talk about "baroque pop," but this expression encompasses very different realities. What does this aesthetic mean to you? Is it the legacy of contrapuntal writing, a taste for modulations, an abundance of textures, or a more general way of rejecting the minimalist approach of contemporary pop?

Great review at Magic! [...] Harmony is indeed the common thread of this veritable pop symphony, carried by Maurussane's high, almost sensual voice (reminiscent of Laetitia Sadier and Robert Wyatt), the whole forming a loop, a circle, a chord, Perfect. [...]

Top review at Froggy's Delight! [...] From the very first notes, a unique light diffuses. It's not a dazzling or blinding light, but a soft, iridescent clarity, like the reflections of sunlight through a stained-glass window or the shifting colors of a kaleidoscope. The compositions seem to float in a velvety texture, between melodic grace and harmonic richness, where nothing is left to chance. Boris Maurussane delivers a baroque pop of great elegance. [...]