Review on OndaRock, Italian webzine. [...] After all, it is clear from the opening notes of the melancholy instrumental "Derivation" that this new Orwell album also uses pop strategies to conquer the mind and not the body. It may be euphemistic and visionary, but Jérôme Didelot knows well not only the art of the seven notes, but also that of singing, which is in fact a single thrill of voices synchronized in the manner of The Beach Boys ("Dors Encore "), the ultimate element of this refined retrofuturist pop. [...]