Read at Froggy's Delight: [...] The concept is excellent, the result a success. The music evokes the Paris of the 60s, with all that that implies in terms of colors and references, a certain idea of style and refinement, and Isobel Campbell, who sings delicately with a nice sense of phrasing, in French (ah these British singers and their little accent that the French like so much!) or in a duet with Jérôme Didelot (in the sympathetic Je ne finis rien) is like a ray of sunshine after the rain. [...]

Review on Musiczine. [...] Between these texts and the music a dialogue is established, where the instrumental developments are so many tracking shots, long descriptions, where the structure of the songs is narrative. [...]

Interview with Boris Maurussane about Social Kaleidoscope, his gleaming album, at POPnews!

Are there places or moments that particularly inspire you?

In Le Monde, they love Social Kaleidoscope! [...] Two possible sources of Maurussane in his album Social Kaleidoscope, like the dreamy pop of the American Brent Cash, a bit of Todd Rundgren, in its most lyrical part and not in its virtuoso developments. [...]